500 Words about Martin Parr
Martin Parr is a British documentary photographer, collector,
contemporary photographer and photojournalist. Parr is well known for his
photographic projects that have a critical view on modern society, foreign
travel and tourism, motoring, family and relationships, and food. Parr though born in Epsom, Surrey later moved to Suburbia, but not the
high end, the area he lived in was dull and had no center. Parr was a keen
collector, he collected watches, wallpaper and trays, it is said that Parr
inherited this from his father who was also a keen collector, proof of this is
shown through his work, he has several well-known collection such as; Boring
Postcards and Autoportraits. It is also said that his father was a keen
ornithologist, Martin would often accompany him on bird-watching trips, and
family holidays, usually to Norfolk or France, were usually characterized
by his father’s love of nature, and enthusiasm for birds of prey. Parr was
interested in photography from an early age of 14, his grandfather, who was
an armature photographer, is said to be an early influence to that
part of Parr's life, Parr wouldmake regular visits north,
to see him. Parr shot one of his first photographic series at the age of 16; it
was taken at a fish and chips shop on one of his trips to Yorkshire. Two years
later in 1970 Parr moved to Manchester to study at college, there he enjoyed
exploring and photographing the ordinary, day-to-day life of British culture
and society. British culture quickly became part of his photography collections,
in his earlier work with Daniel Meadows they spent time at Butlin’s and later
at June Street in Salford photographing things such as peoples living rooms.
Parr and Meadows became employees at the camp, living in a chalet with free
board and lodgings and only Saturdays off, they took many photographs in the
resort of its guests and the resort itself. In 1972 “Butlin’s By The Sea went
on show at Impressions Gallery in York. It wasn’t until the 1980’s that Parr
had the attention he wanted, this was due to the shift in British photography. Over
the years Parr’s photography has changed as his interests have developed but
elements remain such as saturated colour and fill-in flash flash-lit and
brightly coloured postcards, brochures and snapshots. Parr took up teaching at Newport
in Gwent there he encouraged his students to experiment with negative film,
medium format cameras and flash to capture what he called the ‘brashness’ of
the 1980s. Parr moved around a lot after he completed The Last Resort in 1987
Parr moved from Wallasey to Bristol. Because Parr’s photographic reputation had
thus far been built on photographing in the North, the move was dramatic. Over
the next few years Parr focused on his collection The Cost Of Living; this
focuses on the middle-class, his own class. The subjects of the photographs
make small talk and chitchat. They eat strawberries from little plastic bowls
at functions. Consumerism and commoditised culture continues to be an obsession
for Martin Parr. Over the last decade his camera has moved ever closer in on
his subject, picturing detail with remorseless clarity.
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